Erika Roux

Born in 1991, Paris,
graduated from the Gerrit Rietveld Academie in 2014,
and the Master of Fine Arts of the Piet Zwart Institute in 2017,
lives and works in Rotterdam.

erikarvb@gmail.com
+31 6 16 32 80 06

With an experimental approach to cinematic methods and observational modes of filming I investigate the complexities embedded in identities and interactions within a society that shapes it. In my videos, I often play with the act of embodying a character, either fictional or existing, paying attention to the fluctuations and disruptions contained within acting and constructing narratives.
In the scenes I construct I always trigger these moments of becoming in which hesitations or contradictions become visible. By reinforcing these undecided and unassertive moments, I try to propose other forms of existing in the world that can counter the assertive and hyper-performative modes of being.

Petals in the Ring

2019
HD video, 6 min 25 sec

A flower addresses the audience, when suddenly an indescribable feeling submerges it.

The world has shrank

2018
HD video, 14'42"

My actual house becomes a décor for non-professional actors to play characters trapped in a shrinking apartment. The dialogue borrows linguistic and narrative tropes of tragic drama to create an absurd scenario in which the characters struggle together.

A Couple Things

2017
HD video, two channel installation, 10’32”

I asked two teenagers to act through improvisation a couple in crises in the décor of a middle class British living room. The actors being at an age that struggles between childhood and becoming adult, the scene they are meant to interpret brings them into a reality that they haven't experienced yet. We are wondering what are the parameters influencing their acting and the way they interact.

They will be fine

2017
HD video looping

In the mountains, three travellers are trying to move on. The characters are caught in the loop of the video, gazing at the horizon instead of taking actions.

Floor 11

2018
HD video loop

Two office workers are trying to make sense of their business.
Their dialogue full of clichés fails to communicate any solutions.

Balkon van Europa

2018
HD video 16:9, 14’27’’

The video is entirely shot in the bar. The camera is moving across surfaces– showing bar’s interiors, clientele, and looking out of the windows into the open sea. A female protagonist inhabits the space. The images of boats passing by, customers coming in and out, multiple clocks, optical instruments and maritime souvenirs, slowly turning turbine wind mills are bouncing back and forth between reflective surfaces. The act of looking out simultaneously becomes the act of looking inside.

At the window, on the bed, behind the door

2017
HD video, 10’00”

While filming my bedroom with my camera, I am gradually improvising stories that the space could contain. I am here playing with the idea of creating intuitive scripts by considering an intimate space as a place for experimenting with fiction.

Roommates

2016
looping installation, 10'02"

The work Roomates is a video installation composed of 5 looping videos. The main video is placed in the centre, showing a conversation between two roommates, Alice and Vikki. They are lying on a bed, talking about daily life banalities. This video is surrounded by 4 vignettes that are continuously looping, displaying Vikki enacting daily routines.

Pourquoi Tu Cours

2016
HD video, 31’40”

Oscillating between documentary and fiction film, in Pourquoi Tu Cours, Erika Roux is featuring a group of men living in the suburbs of Paris. They are performing their own characters in front of the camera, improvising scenes that are mirroring (or dramatising?) their daily life. Pourquoi Tu Cours is a small story, a mix of banalities and big adventures.

Yo Lo Conozco

2015
HD video, 28’

Wandering around in the streets of Belalcázar, a small town in Spain, Erika Roux took pictures of strangers encountered on the road. Asking the inhabitants to react on these pictures in front of the camera, she is collecting stories and expressions, depicting the way people relate to each other in a small village and how they share this with a stranger.

Celui qui

2014
HD video, 2’58”

I filmed my friends having a casual lunch together. Without being aware of it they embody characters from a novel I have read from Françoise Sagan, named Dans un mois, dans un an. The melancholy from the characters of Françoise Sagan interferes with the atmosphere of the situation and the perception of the persons being filmed, changing the moment into a fictional story.

Playing the Father, the Son

2014
HD video, 9’32”

I asked my father to re-enact with me the theatre play of Marcel Pagnol called Marius. In the story of Pagnol, Marius is the son of Cesar, I play Marius, and my father plays Cesar. By trying to embody these fictional characters, the enactment insinuates parallels between the fictional story and the relation I have with my father.

Psyche and Cupid

2013
HD video, 5’15”

These two hands are from Cupid and Psyche, detail of a marble sculpture from Antonio Canova I saw for the first time in the Hermitage museum. My father and his girlfriend seemed the perfect couple to re-enact the image of Psyche offering her soul to love. The aim of the artist, the understanding of its model and the final result of the work never succeeded to join into a satisfying outcome. In this video, I wanted to show the constant frustration in the attempt of representation.